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Electric Ladyland
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Electric Ladyland
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MP3 Music, October 16, 1968
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Vinyl, Import, January 22, 2021
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| $29.99 | $46.79 |
Audio, Cassette
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From the brand
Track Listings
1 | ...And the Gods Made Love |
2 | Have You Ever Been (To Electric Ladyland) |
3 | Crosstown Traffic |
4 | Voodoo Chile |
5 | Little Miss Strange |
6 | Long Hot Summer Night |
7 | Come On (Let the Good Times Roll) |
8 | Gypsy Eyes |
9 | Burning of the Midnight Lamp |
10 | Rainy Day, Dream Away |
11 | 1983...(A Merman I Should Turn to Be) |
12 | Moon, Turn the Tides...Gently Gently Away |
13 | Still Raining, Still Dreaming |
14 | House Burning Down |
15 | All Along the Watchtower |
16 | Voodoo Child (Slight Return) |
Editorial Reviews
Electric Ladyland is the third and final studio album by English-American rock band the Jimi Hendrix Experience, released in October 1968 by Reprise Records. The double album was the only record from the band produced by Jimi Hendrix. By mid-November, it had charted at number one in the United States, where it spent two weeks at the top spot. Electric Ladyland was the Experience's most commercially successful release and their only number one album. It peaked at number six in the UK, where it spent 12 weeks on the chart. Electric Ladyland included a cover of the Bob Dylan song, "All Along the Watchtower," which became the Experience's highest-selling single and their only top 40 hit in the US, peaking at number 20; the single reached number five in the UK. During the Electric Ladyland recording sessions, Hendrix began experimenting with other combinations of musicians, including Jefferson Airplane's Jack Casady and Traffic's Steve Winwood, who played bass and organ respectively on the fifteen-minute slow-blues jam, "Voodoo Chile". During the album's production, Hendrix appeared at an impromptu jam with B.B. King, Al Kooper, and Elvin Bishop. Electric Ladyland was released in October 1968, and by mid-November it had reached number one in the US, spending two weeks at the top spot. The double LP was the Experience's most commercially successful release and their only number one album. It peaked at number six in the UK, spending 12 weeks on the chart. Although it confounded critics upon its release, Electric Ladyland has since been viewed as Hendrix's best work and one of the greatest rock albums of all time. It has been featured on many greatest-album lists, including Q magazine's 2003 list of the 100 greatest albums and Rolling Stone??'?s list of the 500 greatest albums of all time, on which it was ranked 54th. Jimi Hendrix – lead vocals, guitar. Noel Redding – backing vocals, bass. Mitch Mitchell – backing vocals, drums. Jack Casady – bass on "Voodoo Chile" Brian Jones – percussion on "All Along the Watchtower" Al Kooper – piano on "Long Hot Summer Night" Dave Mason – twelve string guitar on "All Along the Watchtower", backing vocals on "Crosstown Traffic" The Sweet Inspirations – backing vocals on "Burning of the Midnight Lamp" Steve Winwood – organ on "Voodoo Chile" Chris Wood – flute on "1983... (A Merman I Should Turn to Be)" Producer - Jimi Hendrix Engineers - Eddie Kramer and Gary Kellgren Remastered edition of this 1968 album from the Rock icon.
Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 4.97 x 5.6 x 0.39 inches; 3.68 ounces
- Manufacturer : Legacy Recordings
- Item model number : 28131520
- Original Release Date : 2013
- Run time : 1 hour and 15 minutes
- Date First Available : January 17, 2012
- Label : Legacy Recordings
- ASIN : B006WTINSY
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #1,919 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #52 in Blues Rock (CDs & Vinyl)
- #85 in Hard Rock (CDs & Vinyl)
- Customer Reviews:
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Top reviews
Top reviews from the United States
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How to review this... It's Jimi Hendrix, for gosh sakes!!!Imagine being a kid and listening to Jimi Hendrix on those big old headphones and having your friend John McCue teach you how to play the electric bass using Jimi (and Sir Paul) - it all comes back again across the mists of time when you pop this original British Edition of Electric Ladyland on your turntable.
What's different from the US version? 1983 is not truncated in the version heard here - it continues on into Moon, Turn The Tides as the gods of rock intended it to sound. The Brits focused on sound quality more than overproducing and cleaning the studio album for domestic ears - lots of background chatter, crisp clear recording of Mitch Mitchell's drums, Noel Redding and, of course the real show, Jimi with those "What ARE you saying?!?!" lyrics in those "What ARE you wearing!?!?" outfits just loving life. Ask Lemmy!
This is a beautiful recording meant to be played, not left in cellophane like a museum piece.
The album cover was rapidly replaced, not by the Central Park Linda Eastman shot Jimi had chosen, but with the red and yellow blurry Jimihead you see on you iTunes screens, more suitable for the sensibilities of the times than a group of naked women who would not be perfect nor anorexic nor photoshopped enough to make it on an album in todays esthetically anemic music world. Inside cover green smoke shot of Jimi with little snaps of Mitch and Noel.
WOW!
Autotuners heads will explode when they hear raw talent - play this LOUDLY for them all.
There is a bit of added compression on a few tracks, but it has an overall DR rating of 8. Could be better, but honestly it wasn't bad at all, in my opinion. This album's production is pretty straightforward anyway, its hardly slick. I rated this reissue a 4/5. Its not perfect, but if you're just getting into Hendrix you can get this and the other 2 studio albums released in his lifetime (Are You Experienced & Axis: Bold As Love) for about 20 bucks.
Top reviews from other countries
El sonido es sorprendentemente bueno para un álbum de 1968. Se ven bien prensados, sin defectos de superficie tipo piel de naranja.
Sobre el contenido,... una obra maestra. El tercer y último álbum de The Jimi Hendrix Experience lanzado en 1968. Impresindible, obviamente. Como el resto de trabajos de Hendrix... desgraciadamente cada vez más olvidado.